University of Pennsylvania Museum of Archaeology and Anthropology

Category: China


Buddhist Medicine

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By: Stephen Lang

The Asian Section is happy to host a guest blog post by C. Pierce Salguero, Assistant Professor of Asian History and Religious Studies at Penn State University’s Abington College. He is the author of Translating Buddhist Medicine in Medieval China, published by Penn Press in 2014. (Photo selection and captions by Stephen Lang) Medicine in Early Buddhism Knowledge […]


Archaeology of Central Asia: Excavations in Xinjiang (Part 1) – Annie Chan

My happy place: excavating inside a rock shelter.

By: Anne Tiballi

Every year, the Penn Museum provides support to Penn undergraduates and graduate students as they deepen their understanding of the human experience outside the Museum’s walls. Follow these blog posts from our intrepid young scholars as they report on the sights and sites that they encounter throughout their travels in the field. August 7, 2015 […]


Excavating the Stories behind the Numbers – Eileen Wang

Me and my fieldwork tool – the recorder.

By: Anne Tiballi

Every year, the Penn Museum provides support to Penn undergraduates and graduate students as they deepen their understanding of the human experience outside the Museum’s walls. Follow these blog posts from our intrepid young scholars as they report on the sights and sites that they encounter throughout their travels in the field.   June 26, […]


Archaeology at the border: survey and excavation in Xinjiang

The view from the site where I am excavating.

By: Annie Chan

As far as archaeological fieldwork goes, there are certainly far less accommodating places than where I have fortunately found myself for three consecutive field seasons. My summer fieldwork in Bortala Mongol Autonomous Prefecture, a picturesque area of the Xinjiang Uyghur Autonomous Region less than 30 km from China’s border with Kazakhstan, has offered just the […]


Identifying the Tejaprabha Mural

Sutra close-up

By: Stephen Lang

As I mentioned in an earlier post, the mural depicting Tejaprabha Buddha originally came into the museum and was published with the central figure identified as Sakyamuni Buddha.  However a few years later someone noticed that one of the figures on the left was holding a small book with an inscription on it.  It was […]


I Spy with My Little Eye…

C:Scratchpad 056

By: Cassia Balogh

One of the most amazing aspects of Buddhist murals condition survey is that it does not get boring. We are constantly discovering more details and quirks. While a regular, sharp-eyed museum visitor can see many of these details, some are impossible to truly appreciate without being fifteen feet tall and two feet from the mural. […]


How We Do What We Do

Buddhist Blog Project Photo

By: Morgan Burgess

“Can you please explain what you’re doing?” is a question we hear daily. From a visitor’s perspective it doesn’t look like we’re doing much. Basically, we observe and document. A thorough condition report is the first step in any conservation treatment; we need to know what we’re dealing with. These murals are so large that […]


Getting the Murals to the Museum

C492 with accession numbers

By: Stephen Lang

It’s important to understand how an object actually comes into the museum. The Buddhist murals in the Rotunda are comprised of many different sized panels which entered the museum in stages.  The mural depicting Tejaprabha Buddha came into the museum incomplete in 1926.  You can see the panels are actually framed in large wooden borders […]


What ARE the Buddhist Murals Made Of?

mural constructionv3

By: Morgan Burgess

The questions most frequently asked of us while working on the Buddhist murals in the Chinese rotunda involve what the murals are made of. Often people presume they are frescoes. True fresco is done on wet plaster. The pigments used in a fresco are mixed with water and applied to a wet plaster surface. A […]


The Two Buddhist Murals from Guangshengsi Monastery

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By: Stephen Lang

  Two of the most fascinating objects in the Asian section are a pair of  murals reported to have come from Guangshengsi Monastery in southern Shanxi Province, China.   What makes them particularly interesting is the nature in which their provenance, date, and subject matter have fluctuated over the decades since they came into the […]


The Golden Age of King Midas

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