If Vampire Weekend Spent Some Time in Africa…

While there isn’t a section specifically on the music of Africa in the Penn Museum’s Imagine Africa project, the evolution of contemporary African music is a great way to hear the ways that African culture influences and is influenced by the rest of the world.

The band “The Very Best” was formed in London when the European production duo/ nightclub owners Etienne Tron and Johan Karlberg met Malawian singer/store owner Esau Mwanwaya. The three combine Mwanwaya’s upbeat vocals in his native Malawian language, Chichewa, with dizzying , percussive electronic beats. In their 2009 album, “Heart of Africa,” collaborations with musicians better known in the U.S., like M.I.A. and Vampire Weekend’s lead singer Ezra Koenig, bring the fusion of Euro and African music to an interesting new form.

In this song, the electronic background blends seamlessly with the Malawian melody:

Here is the collaboration with Vampire Weekend lead singer, Ezra Koenig:

And the more club-appropriate collaboration with M.I.A.:

Andrew Kuo’s New York Times visual representation of his experiences at a 2009 The Very Best show in Manhattan shows his reaction and thoughts in response to the group’s music. His comments range from “He could be singing about ‘Law and Order: SVU’ or covering Matisyahu and I would have no idea” to “You can actually hear this guy smiling” to “This feels weird. Is it the cultural fetishization?”

The band would probably take a stance against the musings of their music as cultural fetishization. In a 2009 article in “The Observer”, Karlberg was quoted about the group’s creative process, “…we met in the middle. It’s more interesting when you let things collide rather than reach towards something.” Essau is then quoted as saying, “It’s no longer a question of people stealing music from somewhere. Or people going to Africa and making music there. People like me are here now. Just like I knew about western music growing up in Malawi, European people know about African music. And it’s not a fusion or any of those kinds of words people use – we’re just sharing.”

What do you think musical influences reveal about society? Does the role of the Internet detract from or enhance the production of cross-cultural music and art?

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  • http://smilekenya.com smile kenya

    The 2009 article is very entertaining. This is what has really moved me:The pair DJ and create dance tunes together as Radioclit, as well as running a club night, Secousse (it means “shake” in French) devoted to street sounds from everywhere, whether that’s rockabilly from Brazil, dabke from the Middle East, or bubu from Sierra Leone. They both defer to Esau, partly because, at 34, he’s a bit older, and also because, given that he is tall and straight-backed, smiley and never shy of holding eye contact, it’s hard not to. When he calmly explains that he was unconcerned by the cultural differences between east Africa and east London when he emigrated a decade ago because he “never gets afraid”, it doesn’t seem like the usual frontman’s bravado…with all the way it’s illustrated.

  • Brittany White

    Hi Molly! I have always been interested in things related to cultural heritage, anthropology, and archaeology but I am not strong in science nor do I have an art history background. However, I would love to make a career out of my passion for this kind of thing. What other museum jobs besides conservator allow you to work closely with ancient artifacts

  • sunyijue

    To be honest, when a large amount of objects are presented in front of me, I‘m likely to ignore the ugly objects (especially the Nubian jar). However now, I cannot divert my attention from them. Maybe this is the magic of archaeology–exploration. I really hope I can get involved in the the process of unveiling these mysterious mummies.

    • mgleeson

      Yes! Discovering new and unexpected things, especially on objects that can be difficult to appreciate or understand, is one of my favorite parts of my job. I hope you enjoyed the tour today – please visit us again while you’re here!

  • mgleeson

    Yes! I probably haven’t appreciated them as much as I could, because when I look at them, I see their complex conservation issues. They are both ceramic vessels from Nubia, excavated by Charles Leonard Woolley and David Randall-MacIver sometime between 1907-1911.

  • B. L.

    So they will have to be dismantled?

  • mgleeson

    One of the bowls definitely needs to be at least partially disassembled because the old repairs were made with materials that are causing further deterioration of the vessel. We learn a lot from what was done in the past and today we have a much better understanding of treatment materials (we also learn a lot through scientific testing) that will age well along with the objects.

  • mgleeson

    The beadwork does look like a mosaic! As promised, I will post images of all of these things after treatment, although for some of them the treatment will mostly involve creating more protective storage.

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