Ur Digitization Project: January 2013

Archival document of the month
Spotlight on A.S. Whitburn reconstruction drawing of No. 3 Gay Street

Early archaeologists often concentrated on temples, palaces and cemeteries, since these were most likely to contain impressive artifacts for museums. Woolley dug his fair share of these areas, but to his great credit, he did not overlook the more mundane housing situation. In his excavations at Ur, Sir Leonard Woolley uncovered one of the largest horizontal exposures of domestic space of any site in the ancient Near East. Indeed, he excavated several areas of domestic architecture dedicated to the more common people, particularly areas EM and AH, both primarily Isin/Larsa – Old Babylonian in date (~2000-1700BCE).

There are problems, however. As almost always with remains of ancient buildings, understanding the complete construction and alterations through time in that construction is difficult. Just what did the houses look like when whole? All that is left now are typically foundations and stubs of walls, though in some cases, walls might remain to a meter or more in height. Nonetheless, it is difficult to surmise just how tall the buildings were or what their roofs looked like.

Most archaeologists posit possibilities, and Woolley was particularly good at painting a picture of the domestic quarter as an active living space. As Max Mallowan said in his 1960 ‘Memories of Ur’, a tribute he wrote on Woolley’s death that year:

He [Woolley] saw in his mind’s eye every building, not as a derelict stump, but complete to the roof up, and in his imagination it was once again refurnished… ‘Now take a look at the roof’, he would say, as we stared up at the empty sky. ‘I know you can’t see it, but we know everything about it that matters; the evidence is mostly on the floor in front of you’, and he would point to the brick base of a wooden column, one of four that could only have been used to support a balcony three feet wide which allowed the rain to drip into an impluvium in the middle of the court; he would then point to the only possible place for the gutters and explain how a raised coping must have run along the gentle slope between them.

Woolley believed that many of these houses had two floors (sometimes three). He based this idea on a few minor clues. First, he noted that there were stairs in many of them, usually just inside the front door. Typically only a few steps were left, but they must have led somewhere. Second, he noted in one case (No. 3 Gay Street as he numbered it), a brick in the courtyard that he hypothesized was the base for a wooden column/support for a balcony or raised walkway. He felt that the second floor rooms would need this balcony, built of wood above the courtyard, to provide the access. He even had the architect at the site, A.S. Whitburn, draw up a concept of the typical Old Babylonian house at Ur, based on the remains of No. 3 Gay Street.

Watercolor reconstruction of 'typical' house at Ur, No. 3 Gay Street, by A.S. Whitburn, ca. 1930.

Watercolor reconstruction of ‘typical’ house at Ur, No. 3 Gay Street, by A.S. Whitburn, ca. 1930.

Woolley noted that this reconstruction was much like houses in Baghdad of the time of excavation (1920s-30s), and used this as further evidence of the probability of it being correct. But even those modern example houses were not really of the common people, but ‘townhouses’ (and apparently much like an Inn he stayed in many times within Baghdad), and his ancient reconstruction is actually based on little physical evidence. Modern archaeologists typically use the thickness of lower walls to deduce whether the building could have supported an upper floor, and those at Ur often are not thick enough. Furthermore, the reconstruction Woolley shows relies heavily on wood, a rather scarce resource at Ur. Indeed, in southern Mesopotamia as a whole, wood, particularly large beams, had to be brought in from long distances. Economic texts referring to the sale of houses often mention whether or not there is a door on the house, because owners often took it with them since wood was so scarce. In this case, it seems relatively unlikely that most people would be able to use substantial wooden columns or wooden walkways around their courtyards.

Finally, the typical Middle Eastern village, even today, has one-story buildings with stairs that go up to the roof. It is very common in these cultures to use the roof either as a sleeping area, since nights are often cool in the desert, but stuffy indoors, and/or as a working space–drying laundry, winnowing grain, or performing other duties. Thus, stairs to the roof would seem to be the most likely reconstruction in most of the buildings Woolley uncovered. As for the lone brick in the courtyard that seemed to be a base for a support, perhaps that is what it was, but this one case does not prove the whole. Furthermore, it might have well supported something much smaller. The drainage system Woolley posited might be real, but if the angled roof system he places on the upper floor were really on the top of the single floor, it might be made of light materials — small branches and plaster — and be supported by a much smaller beam propped up on the brick.

Thus, Woolley’s confidence in his minor evidence may have betrayed his analysis. Nonetheless, the information he gathered is vital in reconstructing the city and we must continue to analyze his evidence as well as his analysis of that evidence — something the Ur Project is supporting by making all this data available.

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Looting Reported at Tam An Mah Cave

Tam An Mah Cave Buried jar site, Luang Prabang province, Laos
“In January 2010, Joyce White, MMAP co-director Bounheuang Bouasisengpaseuth, and other scholars from the United States, Italy, Ireland, Australia, England, Thailand, the Philippines, and Laos conducted a short but intensive excavation at a rock shelter site named Tham An Mah (Horse Saddle Cave). This site had been used in historic times as a temple. Paintings of seated Buddas remained on the walls. Human and animal bones were found scattered on the ground and in niches in the rock…” Read More of Elizabeth Hamilton’s Expedition Article…

Update: Tuesday, January 8, 2013. Images from the site of Tam An Mah, showing some of the amazing things MMAP found in 2010–and the current disturbed state of the site.

Site review by Helen Lewis, University College, Dublin (UCD), 2010 Tham An Mah excavation director. UCD School of Archaeology is a collaborator in the joint project of UPenn Museum & the National Museum of Lao PDR that is exploring the archaeology of the Middle Mekong.

Tham An Mah (Horse Saddle Cave)Above: (left) Dr. Joyce White of UPenn Museum with the first ceramic jar found by the project, its pit excavated. (center) The first jar we found was standing upright in the profile, in a pit. (right) When fully excavated, with the upper dirt taken out, we found three human skulls and other human remains, but no single entire body. Many jar burials in the area seem to represent a secondary deposition of previously buried, or sometimes cremated remains. Photos by MMAP and Amy Ellsworth

MMAP 2010
Above: In one area we found a pit that just kept going and going…This, the third intact ceramic jar found at the site was at the bottom of the hole. (Photo: Amy Ellsworth)

MMAP 2010
Above: The pot has been carefully excavated and is ready to come out of the pit. (Photo: MMAP)

MMAP 2010
Above: The pot taken from the deep pit… (Photo: MMAP)

MMAP 2010
…and its base (Photo: MMAP)

MMAP 2010
Above: Stone discs have been found on sites in the Plain of Jars, near to stone jars and associated with buried human remains. (Photo: MMAP)

MMAP 2010
Above: Underneath this disc we found an almost entire, although crushed, pot. Under that were human remains. (Photo: MMAP)

MMAP 2010
Above: This jar was found crushed underneath the stone disc and later reconstructed in the MMAP lab. (Photo: Korakot Boonlop)

MMAP 2010
Above: Human remains found under the third intact jar (Photo: Korakot Boonlop)

Tham An Mah: Sunday, January 6, 2013. Looting was reported to the National Museum not long after we had completed our test excavations, but it took us some time to be able to return to Tam An Mah and survey the extent of the damage. We are planning rescue sampling and recording of this and a second reported dug out known site in the vicinity.

MMAP 2010
Above: MMAP test excavation, Tham An Mah, January 2010 (Photo: MMAP)

MMAP 2013
Above: Tham An Mah, January 2013 (Photo: Beth Van Horn)

For more information, please visit the MMAP website.

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The Life Aquatic: Underwater Archaeology in Cartoon Motion

The most thrilling aspect of working in the Archives here at the Penn Museum is that during the course of your day you might discover something unexpected. In my two and a half years as a work-study student, I had yet to make a discovery, until about two weeks ago when I came across a beautifully drawn illustration from an excavation site in Italy.

During my current project of processing and re-housing the records of the Museum’s former Radiocarbon Laboratory, I have come across a number of things ranging from receipts and sample tags to booklets and newspaper clippings, but my recent find is not only my favorite but also the most exciting.

Throckmorton

Wedged between sheets of radiocarbon dates and correspondence about an excavation of an ancient underwater shipwreck at Pantano Longarini (province of Ragusa), in Sicily, was a photocopied illustration of a lively scene, with a short message scribbled across the top that read, “The happy divers stay ecstatic and enchanted.” Quite excited about my discovery, I showed the drawing to Archivist Alex Pezzati who informed me that the man in the center of the illustration (wearing a blazer and flippers) was none other than Peter Throckmorton. Throckmorton, who passed away in 1990, was a pioneer in the field of underwater archaeology who, during the course of his impressive career, discovered and excavated two of the oldest sunken ships on record.

Unsure about the other people in the picture, Alex contacted George Bass, another influential archaeologist in the field of underwater archaeology (who began his career at the Penn Museum) and former colleague of Throckmorton.  Bass, in turn, contacted Throckmorton’s daughter Paula Zakaria, who identified the drawing as the work of her mother, Joan Throckmorton, and went on to name the characters in the drawing, including her siblings as well as a young Paula dressed in a “Pebbles and Bam Bam outfit.”

Throckmorton2

Peter Throckmorton in Bodrum, Turkey. From Archaeologist Beneath the Sea by George F. Bass (Istanbul: Boyut Publishing Ltd., 2012)

The unearthing of this drawing reveals that discoveries are not limited to archaeological excavations, but they occur regularly within the collections of the Archives.

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How Beer Saved the World

Was beer critical in the development of civilization, agriculture, mathematics, bookkeeping, writing and language? Did beer help build the pyramids? Was beer used to treat certain afflictions and was it unknowingly used as an ancient antibiotic? Was beer safer to consume than water in the middle ages?

Find out the answers to all these questions and more with the help of Dr. Pat McGovern, Dr. Stephen Tinney and Dr. Josef Wegner from the Penn Museum.

Watch this Discovery Channel documentary via instant streaming on Amazon Instant Video and Netflix

 

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Ur Digitization Project: December 2012

Archival documents of the month
Spotlight on Field Photo Numbers 0002 and 1365
The Dig House

Archaeologist C. Leonard Woolley spent as much as five months (typically November to March) every year in the field, living at a small house he had built near the site of Ur. It was a basic Expedition house for the small supervisory staff to live in as well as for cataloguing and temporary storage of some of the artifacts.

Woolley’s Expedition House in 1922; field photo number 2

The first report sent from the field, dated Nov. 2, 1922, has this to say:

Reaching Ur on Oct. 27th, we were accomodated temporarily in the Railway Institute, comfortable quarters but too far from the site to be of permanent use. We visited the mound and selected alternative sites for the Expedition house and arranged methods for getting regular food supplies.

Woolley left the architect F.G. Newton in charge and went on to Baghdad. Here he met with H.M. King Faisal and Hon. Director of Antiquities, Gertrude Bell, among others. The antiquities law was being examined by the Cabinet but had not yet been passed, so they gave Woolley a temporary permit and he returned to Ur.

I reached Ur again on Nov. 2nd … [Mr. Newton] had already engaged a few men and had made trial trenches on the sites suggested for the house; as the first site at once produced walls of a building obviously important, he had selected the alternative site, which is against the outer wall of the ancient town, and had marked out the ground plan and had started digging the foundations.

More men have now been engaged and the numbers of the gang will be steadily increased up to the limit of our requirements. Tomorrow I propose to move away from the vicinity of the railway station and to pitch tents on the mound itself, where we can live close to our work pending the completion of the Expedition house.

The house was finished relatively quickly. Basic and perhaps not extraordinarily comfortable, it served its purpose.

Digging was conducted in the winter months in order to avoid the heat. But it meant that the holiday season was spent away from home working intensely. In fact, Woolley reports that at most 2 days holiday were taken by the staff, and he himself typically worked every day. His report dated Dec. 31, 1923 shows this well:

Christmas Day was observed as a holiday; the opportunity was taken to visit some of the small sites in the neighbourhood from which antiquities have been occasionally brought in to us. Otherwise work in the field has been continuous.

Despite the intense work, seasons were exhilarating and the crew were uncovering one of the most important ancient cities in history. Conditions in the dig house continued to improve, especially under the guidance of Katharine Keeling who was later to become Mrs. Woolley.

Supervisory staff in front of the improved Expedition house at end of season 1928-29; field photo 1365.

This photo shows Katharine at center holding the house cat they adopted mostly to control mice. It is an end of season photo for the excavation year 1928-29 and everyone seems cheerful (except perhaps the cat).

Happy Holidays from the Ur Project! And a special thanks to all those who have helped in transcribing reports, letters and notes from the field like the ones quoted here. If you would like to help in transcribing, please go to UrCrowdsource.org

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Report from the Field: Luang Prabang 1

In late December 2012, the fourth and final phase of the $300,000 Penn Museum Luce Program to Strengthen Southeast Asian Archaeology begins. Its focus is Luang Prabang Province, Laos, where the Museum’s Middle Mekong Archaeological Project (MMAP) has conducted surveys, test excavations and related multi-disciplinary studies since 2005.

Nattha Chuenwattana, a Thai PhD student from the University of Toronto, is a new member of the MMAP 2013 team and the first collaborating researcher to arrive in Luang Prabang for this season. Her focus is archaeobotany, the study of plant remains found in archaeological contexts. For MMAP, this means Nattha is sorting through soil sediment samples excavated at 4 cave settlement sites in Luang Prabang province. Her work could tell us a lot about what prehistoric people in northern Laos were eating 11,000 years ago. It may also help us identify whether plant remains found there are from wild or domesticated plant varieties, an indication of whether people in a settlement were simply gathering plant foodstuffs that grew naturally, or were actively cultivating a particular food crop.

So far Nattha has found some Canarium seeds (see photo below), as well as others. Canarium is a group of rainforest trees found in Southeast Asia whose nuts (seeds) are edible. Canarium seeds are a recognized prehistoric food source: Evidence of several wild and cultivated species has been found in archaeological contexts in mainland and island Southeast Asia.

Canarium

Stay tuned for future updates on this research! Nattha will take samples of MMAP plant remains back to Toronto for further study, possibly with the SEM (Scanning Electron Microscope) there. She’ll report on her findings in a joint paper (with Joyce and Dr. Jill Thompson) at the April meeting of the Society for American Archaeology in Honolulu, Hawai’i.

Dr. Joyce White and Nattha Chuenwatana
Caption: Nattha Chuenwatana looks at sediments from previous MMAP excavations through a magnifying glass, while Joyce White observes.

P1330433MMAP 2013--Archaeobotany
Caption: Here Nattha is assisted by long time MMAP team member, Kon Keo Phannasy from the Artefact Protection Office, Luang Prabang Province, Department of Information and Culture, Lao PDR. They have collected food plants currently available in Luang Prabang, with the intention of harvesting nuts and seeds.

P13305MMAP 2013--Archaeobotany
Caption: A useful way to identify archaeological evidence of plants and seeds – commonly found as charred remains – is to compare these fragments with current-day plant materials. Here Nattha has charred the remains of recently collected nut and seed fragments for comparison with archaeological remains.

This week Dr. Elizabeth Hamilton (Research Coordinator, Ban Chiang and MMAP) arrives in to Laos and the GIS (Geographic Information Systems) portion of our work will start, after she recovers from the twenty-eight hour flight!

For more information, please visit the MMAP website.

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Q & A with DJ Skribble

DJ Skribble takes you to the brink and back during The Final Countdown dance party.

So You Wanna Party Like it’s the End of the World?
Before DJ Skribble makes his way to Philly for MAYA 2012: The Final Countdown Party this Friday, Dec. 21, he mused on his DJ experience and connection to Philly.

Q: You have been described as an MTV legend. Tell me about your history.
A: I was walking home from school and saw a park jam. Two turn tables. DJ. Dancing. And that was it—what I wanted to do with my life. I started DJ-ing in 1980 when I was 11 years old.

Then in the early 90s, I was a member of rap group the Young Black Teenagers and we had a hit record Tap the Bottle. We had a great time. I toured with Public Enemy and again—this was it for me. Next, I got the Hot 97 morning show with Dr. Dre and Ed Lover and then a couple years later, in 1998, I was invited to spring break to host MTV’s The Grind. I did Spring Break, Total Request Live, and went on to MTV Jams with Tyrese (Gibson) and we were on for five seasons. I was on MTV so much it was annoying!

Q: What were some of your favorite gigs in the 90s?
A: In 1988, I toured internationally and visited 54 countries. That was the most incredible and gratifying experience ever. But more recently, in 2008, I was the first DJ to headline a USO tour. I spent two weeks Iraq. I flew out in a C130 (Hercules) transport aircraft with my PA System, stage, everything. I brought Naughty by Nature with me to Iraq and we bounced from base to base playing parties for the troops. Black Hawk helicopters were our taxi cabs to the bases in Iraq!

Q: Have you ever been to Philly?
A: Yes! I used to play at Shampoo and Egypt nightclubs through the 90s and early 2000s. I did the Q102 jingle ball years ago. Philly’s great! But I’m not going out much nowadays. When I’m not DJ-ing I’m with my family. I have two boys and baby girl and I love spending time with them.

Q: Some of our favorite music was stuff we grew up listening to. Have your musical influences changed in the past 20 years and if so, do you like to sneak old favorites into your mixes today? And what are they?

A: Wow, the past 20 years—I’ve listened to a lot of music! I like it all. My Dad was in Doo-Wop groups Ovations and Velvatones when I was growing up. He’s the one that got me interested in music. I listen to a little bit of everything: funk, soul, R&B, hip hop, EDM club (house), top 40s music—you name it.

Q: What are you thoughts on music and being a DJ?

A: Music is a lot less segregated now. It’s all become one big melting pot—pop has absorbed influences from so many different styles of music and cultures these days—pop pulls from everywhere. When DJ-ing I listen to the crowd. I play what they want and I like to take requests. I could start a party playing house music but end up playing hip hop because the crowd has let me know what they want to hear.

We live in a society where radio dictates what we listen to. It used to be that DJs dictated what we heard on the radio. People today learn about popular songs from the radio but I absolutely mix my favorite songs in there from the 80s and 90s—during the hey day of hip hip.

Q: Do you know what songs you’re playing to take us smoothly into the end of the world?

A: No, I don’t know yet! You’ll just have to be there to find out!

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Defending Cultural Heritage: Protecting Historical Valuables

Discovering unique artifacts in exotic lands has been the subject of countless explosive action films, adventure novels, and embellished storytelling, from the excavations of Heinrich Schliemann to those of Howard Carter. The human lust for treasure, especially gold, exists in the mind as a classic romantic adventure.  Thus, ancient sites across the world have been subject to looting and grave robbing since antiquity. Facing these challenges of theft, how do archaeologists safely continue their work of documenting ancient lives when they find more traditionally valuable materials like gold?

The goal of archaeology is to discover and preserve the material culture of human societies and to present this evidence to the public, especially through the medium of museums. In any location, the discovery of priceless artifacts (especially those crafted from gold), initially creates a local security dilemma. Since gold items have attracted (and continue to attract) human desire and envy throughout the world, these valuable items that have suddenly been unearthed need to be protected in order for them to eventually help educate the public. The experience of C. Leonard Woolley, the archaeologist in charge of the joint British and University of Pennsylvania Museum expedition to Ur, illustrates well one solution to this conundrum.

During the excavation of Ur, Woolley and his team of archaeologists discovered the famous Royal Tombs. These layers of burials for apparent Kings and Queens of Ur and many of their servants contained many lavish and ornate items, presumably for the afterlife. Among these fantastic cultural objects of study, the headdress of “Queen” Puabi, a woman of high social status in Ancient Ur, reigns quite prominently.

The headdress of Puabi as displayed in the late 1920s.   The total gold is about two kilos.

Woolley had to inform his superiors at the British Museum in London of this fascinating discovery. However, Woolley could not simply share the news that objects of great material value (not to mention cultural) were exposed and vulnerable in the deserts of Iraq. In order to solve this possible security dilemma, Woolley turned to his classical education for a stroke of brilliance; in a telegram, he broke the news to the British Museum- in Latin. Translating the text, Woolley’s employers were able to receive the news while keeping the discovery secret and safe.

The original Latin announcement (with translation) of a tomb “magnificent with jewels”, containing a reference to Queen Puabi (then read “Shubad”).

However, some credit in developing and maintaining long-term security at the excavation site at Ur must go to the local workmen themselves. In the words of Woolley, “many of them [the workmen] at least did develop a sense of loyalty and goodwill which was our best safeguard [against theft]” (Ur Excavations, volume II, page 11). For example, consider the case of Royal grave PG/580. This site was clearly a find of immense interest, as it formed a mound with a large concentration of valuable gold objects. But, because it was discovered at the end of the season, it could not be excavated until the next season. Woolley explained to the local Sheikh, Munshid ibn Hubaiyib, that he would be absent for 6 months, during which time no one was to touch the mound. The Sheikh kept his word. Without any extra guards on duty, the mound and its artifacts were left intact for further excavation. Thus, because of the cooperation of the Sheikh and his various workmen, work on Ur could continue and yield fantastic material and cultural results.

While museums preserve and store items, their main purpose is to provide appropriate shelter and care for historical objects so that they can be used to educate the public. The excavations at Ur have taught us valuable lessons about Mesopotamian social hierarchy, burial customs, trade, and many other subjects. When we see Puabi’s headdress, we know that approximately 4,600 years ago metallurgists were able to craft fantastic jewelry from gold. The Lapis Lazuli contained in this same collection indicates to us that ancient Mesopotamia was part of an already elaborate trade route stretching to Afghanistan and linking disparate cultures. And finally, it is because these items were properly protected that we can gaze back thousands of years and relate to an ancient culture on a profoundly human level.

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Microscopy and mummy bits: updates from the Artifact Lab

In the Artifact Lab: Conserving Egyptian Mummies opened on September 30 and we have since been very busy-not only working on examining and treating objects from our Egyptian collection, but also speaking with the public on a daily basis. We had a big crowd for the 125th Anniversary open house, and some of our busiest days yet over Thanksgiving weekend.

Chatting with visitors through one of the open windows in the Artifact Lab

We (the museum’s conservators) are not the only ones working up here-Egyptian Section Curator Dr. David Silverman is working in the Artifact Lab, with assistance from Leah Humphrey, a graduate student in the University’s Department of Near Eastern Languages and Civilizations. They are working to translate texts inscribed on the boards from the outer coffin of Ahanakht, which dates to around 2000 BCE. This is a fascinating object, and we have written several blogposts about these boards-see one of them by Lynn Grant here.

Dr. David Silverman and Leah Humphrey examining the texts on one of the coffin boards

And in case you didn’t know, we are regularly blogging about our work on our very own blog: www.penn.museum/artifactlab. Please visit, and subscribe to our blog, for updates on our progress and for interesting tidbits and facts about ancient Egypt and conservation. Our latest post describes our newest piece of equipment, a polarized light microscope, and how we’re putting it to use. You can also see for yourself if you visit the lab, because our microscopes are hooked up to a monitor that allows visitors to see what we’re examining, in real-time (such as the deteriorated animal mummy wrappings in the images below).

Magnified image of the linen wrappings of an animal mummy (7.5X magnification on left, 25X magnification on right).
Note how the dyed linen is much more deteriorated than the undyed fabric.

There is always something new to see in the Artifact Lab, and opportunities to speak with the conservator on duty (usually me) every day. We open the windows in the lab twice a day for 30 minutes each time to answer questions and discuss our work. The current open window times are:

Tuesday-Friday  11:15am and 2:00pm  &

Saturday-Sunday  1:00pm and 3:30pm

We’ll look forward to seeing you!

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Bon Voyage, MMAP 2013!

In late December 2012, the fourth and final phase of the $300,000 Penn Museum Luce Program to Strengthen Southeast Asian Archaeology begins. Its focus is Luang Prabang Province, Laos, where the Museum’s Middle Mekong Archaeological Project (MMAP) has conducted surveys, test excavations and related multi-disciplinary studies since 2005.

It’s been three years since the last MMAP expedition to Laos and all the signs are here that the next installment of MMAP is well underway. Piles of equipment mound up on the long tables in the Ban Chiang Lab. Yellow GIS Nomads, Munsell soil color charts, photographic equipment galore, stacks of bag logs, rows of laptops, rugged external hard drives, and the more mundane: a labeling machine, a digital scale, bubblewrap, and small gifts for the Lao team members (baseball caps and Penn Museum Chotchkies) will all be packed into multiple jumbo-sized suitcases that will each weigh in excess of fifty pounds!

Send-off to Laos
Caption: A hodgepodge of equipment ready to pack for MMAP 2013.

Other telltale signs: Beth Van Horn (Volunteer, Ban Chiang and MMAP) is here working with the Museum’s Public Information office so that tweeting and blogging may occur while she is in Laos working on local public relations. Dr. Elizabeth Hamilton (Research Coordinator, Ban Chiang and MMAP) is catching-up on her ArcGIS (Geographic Information Systems) by taking an online course so that she will be ready to work with the GIS collaborator in Laos. Shawn Hyla (IT – Project Leader, Penn Museum and MMAP) is installing programs and figuring out the server-wireless router-laptop system. The laptops, eight in all, will be used by the dozen or so MMAP team members in Laos. Dr. Joyce White (Director, Ban Chiang and MMAP) is already over there beginning work with the archaeobotanist.

Stay tuned for more updates in the coming weeks, as MMAP 2013 unfolds…

Send-off to Laos
Caption: From left to right, Beth Van Horn (Volunteer, Ban Chiang and MMAP), Dr. Elizabeth Hamilton (Research Coordinator, Ban Chiang and MMAP), and Dr. Joyce White (Director, Ban Chiang and MMAP).

For more information about MMAP, please visit the MMAP website .

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