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Penn Museum is pleased to announce a series of films with speakers, that address the theme of cultural adaptation, in association with the Penn Humanities Forum.  All programs are free with Museum admission donation. The programs will take place on the first Sunday of each month at 2pm.

Listen to a short radio interview with the film series curator, Kate Pourshariati on WRTI's Creatively Speaking. (Forward to minute 23:39).

ALSO! You are cordially invited to the premier screening of our new occasional series Live from the Archives! The series will feature films by emerging artists that use archival footage creatively to tell their stories. In the first screening Elephant in the Dark: Refractions of Muslim Identity two young filmmakers will premier their first-person biographical essays, Thursday March 15th at 6pm.  Note that this screening will be free and no Museum admission will be charged.

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Wednesday Evenings, October 2011 through June 2012

Great Riddles

From the knights of King Arthur’s roundtable to the deepest depths of Atlantis, some of the world’s greatest archaeological riddles have eluded us for centuries. Discover and explore these mind-boggling riddles in the next season of the Penn Museum’s popular monthly lecture series presented by current archaeologists and scholars. Mark your calendars for Great Riddles in Archaeology, offered the first Wednesday of every month, October 2011 through June 2012.

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Yutaka Nakatoyashi, a speaker from Japan showing Koinobori, a carp streamer,  to students from Hunter School from Kennsington, Pennsylvania. Photo by Prema Deshmukh. International Classroom is a innovative and creative program of the University of Pennsylvania Museum of Archaeology and Anthropology's Education Department. Our mission is to engage students while promoting intercultural understanding between residents of the Delaware Valley area and people from around the world.

Through the support of local corporations, foundations, and individual donors, the Penn Museum is able to offer a limited amount of free programs to underserved (Title 1) Philadelphia public schools each year. Program offerings may include free admission to special exhibitions, guided tours, speaker presentations, and more. For additional information, please call Prema Deshmukh at 215-898-4065.

Experience the Magic of Cultures from Around the World
International Classroom arranges for international residents, students and scholars living in the Delaware Valley to give presentations about their countries of origin and their cultures.

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A The International Student Welcome Reception is a special event hosted by International Classroom and sponsored by more than 50 colleges, universities, and programs to welcome new international students and scholars to the Delaware Valley. This free event draws nearly 1,000 students and scholars from around 85 different countries each. Held every year in the magnificent Chinese Rotunda, it is the only large-scale welcome reception of its kind in the region, drawing an ever-growing number of college and university international students to meet each other and learn about resources for multicultural education. It is considered the national model among international educators.

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30th Annual Maya Weekend
Friday, May 4 through Sunday, May 6, 2012
Maya 2012: Lords of Time

MAYA 2012For the past quarter century, international scholars, Maya enthusiasts, artists, linguists, archaeologists and others have joined together for a lively weekend of engaging talks and programs centering around the Maya world. During the weekend, numerous other lectures and language workshops provide opportunities for attendees to learn about Maya culture and current archaeological work at Maya sites. Participants can expect a rich intellectual experience—and activity choices—as the weekend provides diverse opportunities for engagement.

This year's 30th Maya Weekend is held in conjunction with the exhibition Maya 2012: Lords of Time.

As always, the weekend combines illustrated talks by world renowned scholars with interactive hieroglyphic workshops for beginners and more advanced glyph readers.

Speakers List

Ricardo Agurcia: Asociación Copán—Stars and Scholars in the Archaeology of Copán, Honduras

Barbara Arroyo: Kaminaljuyu Archaeological Zone, Ministerio de Cultura y Deportes—Keeping Time in the Maya Highlands: Evidence from the Preclassic

Cristina Coc: Maya Leaders Alliance of Punta Gorda, Belize—Contemporary Maya Communities and the Politics of Cultural Heritage

William L. Fash Jr. and Barbara W. Fash: Harvard University—The Story of the Late Classic Kingdom of Copan Told Through Monumental Art

John W. Hoopes: University of Kansas— The History of the 2012 Phenomenon

Barbara Knoke de Arathoon: Museo Ixchel del Traje Indígena and Universidad del Valle de Guatemala, Guatemala City: Continuities and Change in Maya Weaving Traditions

Simon Martin: Penn Museum—Maya Flood Myth and Concepts of Destruction

Marilyn A. Masson: State University of New York at Albany—Postclassic Cities of the Maya

David Stuart: University of Texas at Austin—Maya Calendar Systems and 2012

Loa Traxler: Penn Museum—Encounters with Lords of Time: Penn Museum Archaeologists and Ancient Maya Kings

Marc Zender: Tulane University— Maya Gods in Art and Writing

Banquet Speaker

Anthony F. Aveni: Colgate University—Maya Apocalypse Soon?

Workshops

Yolanda Alcorta and Angelica Lopez, Maya Mam: Friends of the Ixchel Museum—Continuous Threads of the Maya Weaver

Elin Danien: Penn Museum—Taming the Maya Calendar

Christopher Jones: Penn Museum—Mathematics and the Maya

Frauke Sachse: University of Bonn—Metaphors of Time: The Language of Highland Maya Calendrics

pmatpennmuseumflatJoin us for "P.M. @ PENN MUSEUM" Wednesday evenings!

Penn Museum galleries stay open until 8pm, with half-hour gallery tours, and on select Wednesdays, special programming. During P.M. @ PENN MUSEUM Wednesdays, the Pepper Mill Café offers a happy hour bar featuring drink specials, wines, beers, and sodas, and stays open with light supper offerings to 7:30 pm. The Museum Shop remains open until 8:00 pm.

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Secret Cinema

The Secret Cinema is known for presenting classic films of all genres-from B-films to mega-budget Hollywood classics to obscure shorts, always in 16mm film-never video! Jay Schwartz, founder of Secret Cinema, curates a special series of films specifically for the Penn Museum in 2011-2012. Join us for what
promises to be unique adventures in foreign lands, and free popcorn! Free with Museum admission. Free with your PennCard.

Wednesday, September 21, 6:00 pm
The Mummy (1932)

Secret_cinema_mummyThe dead will rise in this masterpiece of vintage cinema, featuring the iconic Boris Karloff as Im-Ho-Tep, a doomed high priest whose mummified remains are accidentally revived, freeing him to chase his lost love through the ages.

Boris Karloff stars as Im-Ho-Tep, a doomed high priest from ancient Egypt whose mummified remains are accidentally revived during an archeological expedition, freeing him to chase his lost love through the ages. The atmospheric first, and clearly best entry in this durable horror series was also the first directorial effort for Karl Freund. Previously the cinematographer of such legendary German expressionist films as Metropolis and The Last Laugh, he later became chief cameraman for Desilu Productions (I Love Lucy). The script was written by Philadelphia native John L. Balderston, a former journalist who had covered the opening of King Tut's tomb. Legendary make-up artist Jack Pierce's incredible design for Karloff famously took eight hours each day to apply.


Wednesday, October 19,  6:00 pm
Secret Cinema: The Thief of Baghdad 1924

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The Thief of Baghdad, 1924, silent with live musical accompaniment by Don Kinnier Douglas Fairbanks (Senior), one of the greatest American movie stars of the silent era, enjoyed one of his best-remembered roles in this exciting and beautiful fantasy/adventure based on the Arabian Nights stories. He plays the ever-sunny Ahmed the Thief, who attempts to steal the heart of a beautiful princess after entering the Palace of the Caliph by magic rope and enduring a series of tests, ranging from the Caverns of Fire to the Flight of a Thousand Stairs. One of the most opulent films of its era (costing a then-record two million dollars), Thief of Baghdad is still magical, thanks to William Cameron Menzies' majestic fairy-tale art direction and Raoul Walsh's fast-paced direction. And, of course, the luminescence of its charismatic star, who early in his film career authored a best-selling book of philosophy called Laugh and Live.


Wednesday, November 16, 6:00 pm
Charlie Chan in Egypt, 1935

secret_cinema_chanSwedish-born Warner Oland stars in this evocative early entry in the long-lived Charlie Chan series, which finds the proverb-quoting Chinese sleuth travelling to Cairo (via airplane and mule). There he investigates missing ancient treasures and a murdered archeologist whose body is discovered inside a sarcophagus. The film effectively combines mystery and horror genre elements, and its plot about stolen antiquities landing in European museums touches on the then little-discussed subject of museum ethics. Conversely, the film is rich in dated depictions of race, most strikingly so in the character of Chan's slow-paced comic sidekick, played by notorious black character actor Stepin Fetchit. Film historian William K. Everson wrote that Charlie Chan in Egypt was "easily the best" in the Chan series: "Effective use of background music, good set design, and superb camerawork created some genuinely nightmarish sequences which are still chilling today." Oland did not use makeup to appear Asian, and attributed his appearance to Mongolian blood in his heritage, passed through his Russian mother. It was said that Chinese often mistook him for one of their own.


Wednesday, January 18, 2012, 6:00 pm
Chang: A Drama of the Wilderness, 1927

secret_cinema_changBefore they dreamed up that oversized ape, King Kong's creators Merian C. 
Cooper and Ernest B. Schoedsack filmed this amazing semi-documentary film, which was, along with the team's earlier Grass, an early example of the adventure-exploration movie. Chang is not only the obvious prototype for their later masterpiece, King Kong, but a terrifically entertaining film in its own right. Shot entirely on location in Siam under dangerous conditions, the film tells the story of a farmer and his family who have settled a small patch of land on the edge of the jungle. Their existence is a constant struggle against the many wild animals around thembear, tigers, and evenchangs! The climactic elephant stampede remains one of the most exciting scenes in cinema history. "It's still the best picture I ever made."Merian C. Cooper, 1966