The Penn Museum’s Conservation Department is tasked with the long term preservation and conservation of the Museum’s object collections.

Working with other Museum staff, our duties include:

  • review, treatment, and setting exhibition parameters for all objects going on exhibition or out on loan
  • setting travel requirements for all objects going on loan or traveling as part of an exhibition
  • working with Collections staff to provide the best possible environment for the long term preservation of collections in storage
  • providing conservation consultation for Museum staff, researchers, students, and the general public

Additionally, we have a number of work-study students and pre-program interns helping out.

For the past three years, the Conservation Department has been housed in temporary workspaces in the Museum’s Mainwaring Wing while our usual permanent space in the bottom level of the West Wing of the Original 1899 building undergoes extensive renovation. This has provided the opportunity to plan new, enlarged, and improved laboratory spaces. These will include a large treatment lab with area ventilation; a walk-in fume hood; a separate office space; a ‘clean space’ for working on textiles, paper artifacts, matting, and storage mounts; a digital x-ray suite and laser-cleaning station; a dedicated photography area; and a seminar room/library.

“How do you eat an elephant? One bite at a time”. With collections as large as the Museum’s, it is a major undertaking to try to keep up with their conservation needs. One way to address this is to break it down into manageable chunks. The Conservation Department has, over the past decades, undertaken surveys of discreet segments of the collections, determining their condition, their storage requirements, and prioritizing their conservation treatments. Conservation surveys provide a useful means of assessing the health of our collections and determining conservation priorities. Current surveys include the Ur Digital Project, funded by the Leon Levy Foundation; the Lapithos survey, begun with a grant from the Foundation of the American Institute for Conservation and funded by the Samuel H. Kress Foundation, now continuing with a grant from the A.G. Leventis Foundation. For the past several years, we have had at least one survey, often two, ongoing each year. These surveys give us an opportunity to plan for future exhibitions, to rehouse vulnerable collections, to explore groups of objects, and to create images that can be used for the Museum’s Online Collection Database. They are also powerful learning experiences for newly graduated conservators, giving them a chance to develop their own methodology, supervise others, take responsibility for a project, and work closely with Curatorial staff. Current Surveys The Ur Digitization Project: Condition Assessment Conservation’s involvement in this project began in 2013. As a part of the Ur Digitization Project, funded by the Leon Levy Foundation, the condition of the objects in the Museum’s collection from Ur, Iraq, is being evaluated using a condition survey and the collection is being photographed. The images will be available not only through the website that will be produced when the project is complete, but also on the Online Collections Database. Work has thus far been completed on the ceramic vessels and clay figurines and sealings. This year will include work on Ur jewellery and metals. The survey has already produced excellent collaboration between the Project Conservator and other members of the team to greatly enhance the information garnered by the process Leventis Fellowship: Lapithos Survey The Leventis Fellow, will spend one year completing the condition survey, re-housing, and photographing ceramic artifacts from the Penn Museum’s excavations at the site of Lapithos in Cyprus. Continuing the work begun by the 2013/4 Kress Fellow, she will also carry out treatments of the highest priority items and research on the ceramics. Past Surveys Kress Fellowship: Lapithos Survey In 2013/4, the Kress Fellow, supported by a grant from the Foundation of the American Institute for Conservation and funded by the Samuel H. Kress Foundation, spent ten months conducting a condition survey, re-housing, and photographing the collection of more than 1,500 Bronze Age and Iron Age artifacts (the majority being ceramic or copper alloy) from the Penn Museum’s excavations at the site of Lapithos in Cyprus. This work will be continued to complete the survey of the remaining ceramic items in 2015, with funding from the AG Leventis Foundation Buddhist Murals Conservation Survey Two of the most prominent pieces displayed in the Museum’s China Gallery are the massive wall murals believed to have been painted during the Ming Dynasty, in the 14th century or shortly thereafter. Each represents a Buddhist paradise: one depicts Bhaisajyaguru’s paradise, the Buddha of medicine who is capable of healing, and the second shows Tejaprabha’s Paradise, the Buddha of Blazing Light. Supported by the E. Rhodes and Leona B. Carpenter Foundation, we are carrying out high resolution photographic documentation of the murals, a condition survey, and creating a treatment recommendation. These first steps are crucial to producing a comprehensive conservation plan for the murals, which are in great need of repair having not received a formal condition survey or restoration treatment in over 80 years. This conservation work will continue to take place in our third-floor galleries in full view of visitors, following the example of the successful conservation of the renowned Tang Horses in the China Gallery. Kourion Digitization Project and Condition Assessment Beginning in June 2012 and ending in June 2013, the condition of the entire collection of objects from Korion, Cyprus, and the related sub-sites of Bamboula, Kaloriziki, Sotira Teppes, and Ayios Ermoyenis was evaluated. This collection represents a broad time range, 5000 BCE to 300 CE and includes numerous material types, such as ceramics, metals, ivory, bone, stone, and glass. The condition of the objects was assessed through a survey designed to capture condition issues for these materials. 1,986 objects were examined from the collection. As part of the survey, about 680 objects were photographed and the images published on the Online Collections Database. The goal of photography was to provide examples from all of the sub-sites. During the condition assessment the ceramics with soluble salts were given top treatment priority and many were desalinated. This survey was part of the overall Digital Kourion Project, funded by the McFadden Family. IMLS Conservation Surveys of Pachacamac Ceramics and Textiles In 2011, the Museum’s American Section and Conservation Department were awarded a grant from the Institute of Museum and Library Services (IMLS) to conduct a conservation survey and rehouse the Museum's collection of pottery and textiles from the site of Pachacamac, Peru. Pachacamac was a sacred center in the Andean region for more than 1,000 years and figures prominently in myth, oral history, and Peruvian identity even today. The 12,000-item archaeological collection was made in 1895–1896 and contains diverse and fragile organic materials preserved in the dry environment of the Peruvian coast. The rehoused pottery was moved closer to the Pachacamac textiles, which in turn will be treated and moved into new custom cabinetry. The completed project provided the Museum with a prioritized list of recommended conservation treatments and rehoused materials that is more safely accessible for class use, research, and community engagement.

© Penn Museum 2015 Sitemap / Contact / Copyright / Disclaimer / Privacy /