Painted wooden coffin of Tawahibre

By now, many of you may be familiar with this object from it’s appearance in our recent media coverage:

Painted wooden coffin from the Late Period

This is a painted wood coffin from the Late Period, post-558 BC. It has been fairly inaccessible in storage until coming up to the Artifact Lab. Now that it’s up here, we’re realizing that it’s going to be a complex project, in more ways than one.

First of all, it’s a bit confusing who this coffin belonged to. In our records, is listed as the coffin of Tawahibre or Teker-Wah-Eb-Re. The mummy associated with the coffin was x-rayed in 1932 and examined in the 1970s and both times determined to be a woman in mid-adult life (about 40 years old). However, in 1946, the hieroglyphic text on the coffin was translated as identifying a male court official, the son of J-se(t)-N-Ese. Our curators are going to work to translate the text to see if we can figure out who the coffin belonged to…however…

The second complication is that, unfortunately, this coffin hasn’t aged particularly gracefully, and it is now very fragile and in poor condition. And even more unfortunately, the areas that contain much of the text are in the worst condition, with major losses to the painted surface.

Detail showing major paint loss across the foot area of the coffin

So, one of the first things we’ve done to improve the condition of the coffin and aid in translation is to remove years of accumulated surface dust using a soft-bristled brush and a HEPA-filtered vacuum. This made a big difference and already allows the text to be read more easily. I am now conducting cleaning tests to see how much more surface grime can be removed. I did some dry-cleaning (meaning cleaning without the use of solvents like water or alcohol) testing today using Groomstick, a natural rubber product similar in consistency to SillyPutty, and cosmetic sponges, and I’m pretty happy with the results. Look at how much more dirt I was able to remove with these products:

Partially cleaned surface (left) and bits of Groomstick and cosmetic sponges after dirt removal (right)

Next I’ll have to start addressing how to approach the stabilization of the fragile and flaking paint and gesso and unstable wood elements.

Posted by Molly