The Penn Museum Archives is an incredible resource for us here at the museum.
When we begin working on objects in the conservation lab, we carry out preliminary research, which often includes searching for related materials in the Archives. Among the materials we may be interested in are archaeological field notes, letters between curators and archaeologists or collectors about the acquisition of specific artifacts, and old photographs.
Recently, Senior Archivist Alex Pezzati scanned some images for me, including this one, a shot of the Egyptian “Mummy Gallery” in 1935.
I was excited to see some of the artifacts we’re working on in the Artifact Lab right now in this photo. Can you pick some of them out? In the image below I’ve circled some of them in red.
These old exhibition photographs can be extremely valuable to conservators. Not only does this particular image tell us that certain artifacts were definitely on display, and when (which may not be recorded elsewhere), but it also shows us how they were displayed. In some cases, seeing the way that artifacts were previously displayed may help to explain damage, such as excessive fading on one side or adhesive residues left behind by an old mount. We can often make good guesses about this type of damage, but it’s always nice to have some proof!
What particularly excited me about this photograph is that it shows the coffin of Tawahibre in the gallery. We are currently working on this coffin in the lab, but it is still too fragile to separate the lid from the base to allow for examination of both pieces individually.
Just recently, Curator Dr. Jen Wegner was up in the lab and we were discussing the coffin and some of my observations, and she wondered out loud if the back had any text written on it. I had wondered the same thing myself but I knew that until we carried out further work, we wouldn’t be able to know.
BUT, since this 1935 photograph shows both the lid and the base of the coffin on display, we don’t have to wait any longer!
As you can see in the above image, there is writing on the back! Now only if we could just hasten the conservation treatment so we can examine it for ourselves…
Another thing that is useful about this image is that is shows that much of the damage we’re seeing on the coffin today was present in 1935. This includes both major structural damage and extensive paint loss in areas. It is likely that the coffin came into our collection with this damage, which is somehow reassuring to me. I will also note this in my documentation.
We continue to plug away on the treatment of the coffin and we are hoping to soon reach the point where we can separate the lid. I will provide an update shortly about some of the more recent work we have been carrying out on this artifact!