University of Pennsylvania Museum of Archaeology and Anthropology

Category: Exhibits


Baffin Island Inuit Doll: Dressed to Care

By: Margaret Bruchac

Object Analysis by Anastasia Hutnick This Inuit doll and her parka, Objects NA2549 and NA2550, respectively, were acquired by the Museum in 1914 from collector Henry F. Ford. Ford also donated 59 other objects from the Hudson Bay Area, including various articles of clothing, toys, and tools. This doll with her parka, however, is the […]


Object Matters: Considering Materiality, Meaning, and Memory

By: Margaret Bruchac

Report from the Fall 2017 Anthropology of Museums class How do Indigenous objects in museum collections “speak” to those who create, collect, curate, display, and observe them? The material traces in these objects obviously evoke connections to particular aesthetic values, beliefs, and practices, but do they also retain memories of the artisans who created them? […]


Traces of Culture in Traces of Paint

By: Margaret Bruchac

This object analysis was conducted for the Fall 2017 University of Pennsylvania course “Anthropology of Museums.” Students are examining Native American objects in the American Section of the Penn Museum by combining material analysis (elements, construction, design, condition, etc.) with documentation (texts, photographs, ethnographic data, etc.). Since some objects have minimal provenance data, we seek out similar materials, […]


An Ancient Typo

Re-carved Hieroglyphs

By: Julianna Whalen

While it’s easy to be captivated by pyramids and mummies, the depth of ancient Egyptian history can be difficult to process. Dr. Stephen Phillips, Curatorial Research Coordinator in the Penn Museum’s Egyptian Section, stresses this: When you are in Egypt today, something that sinks in very quickly, especially while you are out on the Nile […]


The “Idea Lounge”

By: Tom Stanley

The third floor of the Penn Museum is home to our smallest gallery, which we refer to simply as our Special Exhibitions Gallery. Despite its limited size (approx. 300 square feet), this gallery has hosted some fascinating exhibitions in recent years—most recently, a cross-cultural survey titled Sex: A History in 30 Objects. A new installation […]


Contemplating the Void: Peopling the Past in Living History Museums – Lise Puyo

By: Margaret Bruchac

Every year the Penn Museum provides support to Penn undergraduates and graduate students as they deepen their understanding of the human experience outside the Museum’s walls. Follow these blog posts from our intrepid young scholars as they report on the sights and sites that they encounter throughout their travels in the field. Report from the field […]


1966 Film Made in the Navajo Nation Gets Sound 50 years Later

By: Kate Pourshariati

Thanks to a unique set of circumstances a developing relationship has borne fruit this year for the Museum Archives. A film made in 1966 by Dr. Richard Chalfen, who generously donated his work to the Museum a few years ago, was never quite complete; it was lacking a sound track. In 2015 our Film Archivist […]


Maya and Guatemalan History in Film — Live from the Archives

people in Guatemala celebrate the end of a reign of terror

By: Kate Pourshariati

Archival Guatemalan footage from 1940 enriches a new film covering a long span of history.


Eastern Turkey Feather Headdress

By: Margaret Bruchac

This object analysis was conducted for the Spring 2016 course Ethnohistory of the Native Northeast. Students are studying Native American objects in the Penn Museum collections by combining close material analyses (elements, construction, design, condition, etc.) with other forms of evidence: textual, photographic, historical, and ethnographic. In many cases, the objects we’re studying have little to no provenance data. So, we are […]


Considering the Feather Headdress

By: Margaret Bruchac

During the Spring 2016 course Ethnohistory of the Native Northeast, students are studying Native American objects in the Penn Museum collections by combining close material analyses (elements, construction, design, condition, etc.) with other forms of evidence: textual, photographic, historical, and ethnographic. In many cases, the objects we’re studying have little to no provenance data. So, we are seeking out similar objects, reaching out […]


Native American Voices at the Penn Museum

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