Welcome to the Penn Museum blog. First launched in January 2009, the Museum blog now has over 800 posts covering a range of topics in the categories of Museum, Collection, Exhibitions, Research, and By Location. Here you’ll hear directly from our staff and Penn students about their work, research, experiences, and discoveries. To explore the Museum's other digital content, visit The Digital Penn Museum.
Buddhist Statues, Inside and Out
By: Samantha Thompson
To the untrained eye, the Sakyamuni Buddha in the China Gallery appears visually similar to other nearby Buddha sculptures. While it borrows from traditional Buddhist iconography found during the Yuan Dynasty, certain aspects of the sculpture are unique to this Sakyamuni Buddha. The sculpture was made with dry-lacquer, a rare and laborious technique, and strikes […]
Buddhist Medicine
By: Stephen Lang
The Asian Section is happy to host a guest blog post by C. Pierce Salguero, Assistant Professor of Asian History and Religious Studies at Penn State University’s Abington College. He is the author of Translating Buddhist Medicine in Medieval China, published by Penn Press in 2014. (Photo selection and captions by Stephen Lang) Medicine in Early Buddhism Knowledge […]
Identifying the Tejaprabha Mural
By: Stephen Lang
As I mentioned in an earlier post, the mural depicting Tejaprabha Buddha originally came into the museum and was published with the central figure identified as Sakyamuni Buddha. However a few years later someone noticed that one of the figures on the left was holding a small book with an inscription on it. It was […]
How We Do What We Do
By: Morgan Burgess
“Can you please explain what you’re doing?” is a question we hear daily. From a visitor’s perspective it doesn’t look like we’re doing much. Basically, we observe and document. A thorough condition report is the first step in any conservation treatment; we need to know what we’re dealing with. These murals are so large that […]
Getting the Murals to the Museum
By: Stephen Lang
It’s important to understand how an object actually comes into the museum. The Buddhist murals in the Rotunda are comprised of many different sized panels which entered the museum in stages. The mural depicting Tejaprabha Buddha came into the museum incomplete in 1926. You can see the panels are actually framed in large wooden borders […]
The Two Buddhist Murals from Guangshengsi Monastery
By: Stephen Lang
Two of the most fascinating objects in the Asian section are a pair of murals reported to have come from Guangshengsi Monastery in southern Shanxi Province, China. What makes them particularly interesting is the nature in which their provenance, date, and subject matter have fluctuated over the decades since they came into the museum. […]
Conserving the Buddhist Murals: An Introduction
By: Lynn Grant
Just because artifacts have been in our collections or even on display for a long time doesn’t mean we know all about them. A case in point is the large Buddhist Murals in our Chinese Rotunda, probably the largest artifacts in our collection, at least in area. Although they’ve been on exhibition there since the […]
Sculpture of Female Attendants [Object of the Day- #75]
By: Gabrielle Niu
These two statues are from Northern Thailand (19th Century). The one of the right, kneeling with her hands folded in front of her chest, represents a female attendant to the Buddha. To her left is a male attendant. He sits with one hand on his knee and the other holding a staff. Both pieces are […]
Statuette from Liao Dynasty [Object of the Day #63]
By: Ashley Harper
This gilt bronze statuette is a representation of the compassionate and venerated Guanyin, a popular figure in eastern Buddhism. The figure’s graceful stance and relaxed expression give the statue a sense of peace. In her hands, she holds a lotus bud while over her forehead, at the base of the high crown headdress, is a tiny […]
Statue of Fudo [Object of the Day #44]
By: Stephen Lang
This statue of Fudo, one of the Myo-o (Knowledge Kings), sits in the midst of fire symbolizing invulnerability. Also known as the immovable one, he is a part of a fierce class of protective deities who form an important category in Shingon art. Often depicted holding a lasso and vajra hilted sword, the statue was […]