Welcome to the Penn Museum blog. First launched in January 2009, the Museum blog now has over 800 posts covering a range of topics in the categories of Museum, Collection, Exhibitions, Research, and By Location. Here you’ll hear directly from our staff and Penn students about their work, research, experiences, and discoveries. To explore the Museum's other digital content, visit The Digital Penn Museum.
By: Margaret Bruchac and Ben Kelser
The Penn Museum holds around 400 objects attributed to the “Naskapi” people and acquired by Frank Speck in 1930-1931.[1] The diverse collection includes games, charms, toys, hunting tools, snowshoes, paint brushes, and clothing made of caribou hide, among other things. Historically, the First Nations Innu (Naskapi) people of northern Labrador have long regarded migratory caribou […]
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By: Margaret Bruchac and Kayla Holmes
Shark, Raven, Bird, Human. What does it mean to find these life forms intermingled within a singular piece, in the shape of a rattle? In Tlingit society, the interactions among these beings and the mythologies associated with them represent cultural interpretations of individual and clan relationships. Specific aspects of these relations and beliefs led to […]
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By: Margaret Bruchac and Erica Dienes
In 1901, during the Wanamaker Pan-American Expedition, Penn Museum Curator Stewart Culin purchased a selection of Choctaw objects from Louisiana.[1] The collection included two elaborately beaded red wool sashes—objects #38472 and object #38473—which were identified, in the Choctaw language, as ska-bo-chai.[2] The coiled designs evoke ancient motifs seen in Eastern Woodland Mississippian and Early Historic […]
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By: Margaret Bruchac and Leana Reich
The provenance story of this “American Indian beaded collar” (object # 2000-16-1) begins with a mystery: it was made by an unknown artisan for an unknown purpose at an unknown time, likely in the 19th century. In 1972, Robert W. Preucel received it as a gift from his high school friend, Tucker Hentz. Hentz noted, […]
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By: Margaret Bruchac and Lilianna Gurry
This object study focuses on two pairs of moccasins, similar in structure and style, collected in 1891 from Blackfeet (also called Blackfoot) artisans.[1] The moccasins have a closed-toe design, cloth ankle flaps, leather ties, and beaded floral motifs. They were constructed using a one-piece pattern stitched together with a vertical seam at the heel before […]
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By: Margaret Bruchac and Leana Reich
In 1912, the Penn Museum purchased a birch bark box (object number NA 3851) decorated with intricate quillwork from British collector and antiquities dealer William Ockleford Oldman. During the late 1800s to the early 1900s, Oldman sold thousands of ethnographic materials to private collectors and museums (including the British Museum and Museum of the American […]
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By: Margaret Bruchac and Kayla A. Holmes
How does a tomahawk, as an object typically associated with violence, come to be connected to a smoking pipe used in rituals and ceremonies associated with peace? Who devised the idea of welding these different objects together to bring pipe tomahawks into being, and what are the cultural significances surrounding their presence? File these […]
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By: Margaret Bruchac and Ben Kelser
This bowl, in the form of a wooden beaver with a bowl-shaped carving sculpted into its back, is identified as having been crafted by the Kaskaskian people in the Illinois Territory.[1] The bowl was one of two non-identical beaver bowls collected in 1795 by George Turner, who was then serving as a judge in the […]
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By: Margaret Bruchac
Object Analysis by Malkia Okech “Medicine Man on Horse” is a painting on paper. A Pawnee artwork with colors of blue and yellow standing out, supported by accents of red and green. A man sits astride a horse, wearing leather hide leggings, a buffalo-head headpiece with horns, moccasins, and gloves, and his face is painted. […]
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By: Margaret Bruchac
Material representations of Indigenous history in public museums do more than merely present the past. Exhibitions are always incomplete and idiosyncratic, revealing only a small window into the social worlds of diverse human communities. Museums create, in essence, staged assemblages: compositions of objects, documents, portraits, and other material things that have been filtered through an […]
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