By Christy Ching

One project I have really enjoyed working on as a pre-program conservation technician is documenting larger objects for a process called photogrammetry. Photogrammetry is a technology that gathers spatial and color information of an object from multiple photographs to form a geometrically corrected, highly detailed, stitched image called an orthomosaic. Essentially, photogrammetry creates a distortion-free, three-dimensional model of an object based on two-dimensional photos of every surface photographed in sections.

*L-55-16B (21-46-9) is a loan object from the Philadelphia Museum of Art (PMA)
This can be done for objects of any size. However, we are mostly reserving this technique for larger objects, specifically larger textiles and Egyptian coffins. This is because photographing the coffins and textiles normally with a single shot requires a greater distance between the object and the camera in order to fit the entirety of the object into the frame, and doing so reduces the image quality. Not only that, but the camera distortion that is inherent in all photographs will become more obvious. The resulting image will not be an accurate representation of the coffin or textile, which is not ideal for documentation purposes.

With photogrammetry, we can take parts of the 3-D model and use them as high resolution, distortion-free, 2-D images of the object instead.

So far, a little less than ten coffins, a few textiles, a pithos fragment, and a giant granite relief have been documented using photogrammetry. The models and orthomosaic images are all generated by Jason Herrmann from CAAM, and we are very grateful that he is doing this for us! To learn a little bit more about the photogrammetry process, view this Digital Daily Dig here.
This project was made possible in part by the Institute of Museum and Library Services.