One question I hear occasionally from visitors in the Artifact Lab is “are you making mummies?”. I always think that this is a funny question – there is one thing that we have plenty of at the museum, and that is objects in our collection. There is no need for us to make our own…or is there?
What’s going on here? What could these possibly be for?
We do sometimes make mock-ups of artifacts, for testing purposes or for exhibit or educational use, and I wrote a bit about this in my very first blog post on the Penn Museum blog, way back in September.
And now I can no longer say that the museum is not making mummies. While we may not be making mummies in the Artifact Lab, we do have someone on staff who has been known to make a mummy, or two, in his career. This someone is Ben Neiditz. And rather than saying much more about this, I thought I’d ask him a few questions, and post our Q&A on the blog. So read on to learn more about Ben’s fascinating, and super creative, work.
Real mummy or fake? You decide!
Hi Ben. Can you tell us a bit more about yourself and what do you do at the museum?
I am a sculptor, designer, and builder and I work in the Exhibits department designing and building a range of different exhibit elements including casework, interactives, furniture, and artifact replicas.
How did you get into making artifact replicas?
Well, I studied sculpture and I am still making artwork outside of the museum, but my first replica for the museum was for the Secrets of the Silk Road exhibit. We were prevented at the last minute from displaying the two mummies that were the centerpiece of the show and so I created two replicas. As luck would have it, I had been making desiccated corpses as part of my own sculptural practice and so I was well prepared to make replica mummies in the required time frame (very fast!). Most recently I made a set of replica codices for the exhibit Maya 2012: Lords of Time and I have just finished making another replica mummy – including a set of desiccated organs – that will be used in educational workshops about Egyptian mummification.
Tell us more about this recent mummy project! How did you make the mummy and what materials did you use?
I started by casting a skull: I covered it in paper mache, let it dry and then cut off the paper shell and reattached the parts.
The “skeleton” of Ben’s mummy
I used skeletal and anatomical diagrams, photos of real mummies and my own body as reference for scale, proportion and texture. For the body, I started with a wood armature that I then “fleshed out” with paper and cardboard.
The body of the mummy taking shape
I coated the whole thing in paper mache and then I painted and textured the exterior with celluclay, dirt and wood glue to get the desired skin texture.
The “skin” in process of being applied (left) and a detail of the evisceration (right)
Do you have anything else interesting to share? What was the most interesting thing you learned from this?
I went to check out the mummification workshop in which the aforementioned mummy is used. This particular iteration of the workshop was being presented to a group of 6th graders and it was great! The kids get to poke brains made from jello and learn all about the system of religious beliefs that surrounds Egyptian mummification. I learned that in order to be admitted to the afterlife, your heart is put on a scale balanced against a feather. If your heart is too heavy, indicating a life lived wrongly, it is devoured by a crocodile-lion-hippopotamus and you are denied entry into the underworld.
The final product-the complete mummy with all of his organs and a scarab amulet placed on his chest.
Thanks Ben! What a cool project. The mummy looks great, and as Ben mentioned, it is already being put to use for workshops here at the museum. The mummy has been dubbed “Mr. Ulysses Penn” (or Mr. U Penn). He will be featured in the next “Mummy Makers” workshop, which will take place on June 5th.
