University of Pennsylvania Museum of Archaeology and Anthropology

Category: Collection


Robert H. Lamborn: An Atypical Collector in 19th Century Philadelphia

By: Sarah Linn

By Sheridan Small, Penn Museum Fellow 2017-2018 Although I never had a chance to meet Robert Henry Lamborn, I feel like we have become close friends. I have studied him over the past seven months through my research for my senior honors thesis in Anthropology as a Penn Museum Fellow. I have spent hours in […]


A Vision of Color: Contextualizing a Peyote Rattle in Time and Space

By: Margaret Bruchac

Object Analysis by Margaret Bruchac and Sheridan Small During the era of American westward expansion, many Native American peoples were forced from their ancestral lands and confined to reservations. The Winnebago people, for example, went through several territorial dislocations as a result of three major cession treaties with the fledgling United States. They were removed […]


Butterfly Maiden Katsina: What Makes an Object Beautiful?

By: Margaret Bruchac

Object Analysis by Anastasia Hutnick Some Native objects can inspire awe in non-Native viewers, much in the way that one might respond to a fine work of art without knowing the cultural background of the imagery. The most intriguing objects (in my professor’s opinion) are those that “remind us of what came before” and that […]


Living Tradition: The Penobscot Root Club

By: Margaret Bruchac

Object Analysis by Malkia Okech Two Penobscot root clubs collected by A. H. Gottschall (object # 97-84-2123 and 97-84-2124) came to the Penn Museum from the Academy of Natural Sciences in 1936. Adorned with intricate carving and paint, root clubs are a long-standing tradition of the Penobscot tribe located in Maine.[1] Although we know nothing […]


Visualizing Native People in Philadelphia’s Museums: Public Views and Student Reviews

By: Margaret Bruchac

Material representations of Indigenous history in public museums do more than merely present the past. Exhibitions are always incomplete and idiosyncratic, revealing only a small window into the social worlds of diverse human communities. Museums create, in essence, staged assemblages: compositions of objects, documents, portraits, and other material things that have been filtered through an […]


Moundbuilders: A Physical Reflection of Cultural Significance

By: Margaret Bruchac

Museum Exhibition Review by Katherine C. Ku At first glance, the “Moundbuilders” exhibit can seem unassuming. It is not particularly large or flashy, but is rather gracefully reticent. Though it doesn’t demand one’s attention like the other parts of the Penn Museum (like, say, the Sphinx or Queen Puabi’s headdress), it contains multitudes, offering meditations […]


Song of the Abalone: As Heard From Different Ears

By: Margaret Bruchac

Object Analysis by Katherine Ku Abalone shell is unquestionably beautiful. Its unassuming rough exterior only serves to make its iridescent and scintillating interior even more attractive in contrast, making it comparable in aesthetic value to materials like gold, silver, and gemstones. Beyond this surface beauty, abalone is simultaneously a living thing and a life-giving force, […]


Levi Levering’s Headdress: Blurring Borders and Bridging Cultures

By: Margaret Bruchac

The feather headdress labeled 38-2-1 in the Penn Museum Collection is richly colored and composed of many types of materials. It consists of a felt cap with a leather forehead band covered with a panel of vivid loomed beadwork (in orange, blue, yellow, and white tipi shapes) and two beaded rosettes (blue, yellow, white, and […]


Baffin Island Inuit Doll: Dressed to Care

By: Margaret Bruchac

Object Analysis by Anastasia Hutnick This Inuit doll and her parka, Objects NA2549 and NA2550, respectively, were acquired by the Museum in 1914 from collector Henry F. Ford. Ford also donated 59 other objects from the Hudson Bay Area, including various articles of clothing, toys, and tools. This doll with her parka, however, is the […]


Object Matters: Considering Materiality, Meaning, and Memory

By: Margaret Bruchac

Report from the Fall 2017 Anthropology of Museums class How do Indigenous objects in museum collections “speak” to those who create, collect, curate, display, and observe them? The material traces in these objects obviously evoke connections to particular aesthetic values, beliefs, and practices, but do they also retain memories of the artisans who created them? […]


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