I often think about how a successful treatment depends on having the right tools and materials for the job. Here are some of the things that I have in front of me almost at all times in the Artifact Lab, and I use for many of the treatments I work on:
1. Silicone-release Mylar. This is Mylar film coated with silicone, which provides a non-stick material that is perfect for certain applications – I’m currently using it as a barrier between a painted surface that I’ve consolidated and the weight I’m applying to hold the area in place. The silicone-release Mylar prevents the area I’ve treated from sticking to the weight.
2. Weights of various sizes (and weights). This one (pictured above) is a favorite because it is so cute and looks like a Hershey’s kiss. It is made by our creative colleagues at Inherent Vice Squad. Check out their website by following this link: Don’t look drab in your lab!
3. Insect pins. These are very fine straight pins, which I often use to hold linen in place when carrying out treatment on mummies. At the moment, they are also coming in handy to unclog my syringe as I work on the treatment of Nespekashuti’s coffin. See this blogpost to read more about how these pins can be used. Okay, and just because I love the Inherent Vice Squad, and because these are called insect pins, I must also tell you that if you’re looking for a way to store your pins, you should check out their rad Museum Pest Voodoo Doll pincushions. I have no good excuse for not picturing one above, but I do have one for my sewing supplies at home.
4. Syringes with specialty tips. The two pictured here have two different types of tips: a narrow metal tip and a flexible plastic tip. The flexible plastic cannulae are especially useful for areas that are sensitive to abrasion or are difficult to access.
5. Fine-tipped brushes for consolidation and inpainting. I do a lot of work on painted surfaces, and often need to apply very small amounts of adhesive along cracks and under paint flakes (see video footage of paint consolidation here). We order our brushes from Blick.
6. Colour Shapers. I had never worked with Colour Shapers until I started working at the Penn Museum. I find these tools, which have a rubber composite tips of varying sizes, shapes, and degrees of firmness, especially useful for paint consolidation.
7. Fine-tipped tweezers. A good pair of fine-tipped stainless steel tweezers/forceps is a staple in a conservator’s toolkit. I was fortunate to get to keep the tweezers I was given to use in graduate school, and I use them daily in the Artifact Lab.
8. Stainless steel micro-spatula. Ditto my comment about fine-tipped tweezers above.
9. Scalpel handle. Ditto.
10. Small, sharp scissors. A third ditto.
11. Bone folder. Bone folders are made of bone (usually cattle) and are often used in conservation for making storage supports, folders, and handling trays – they provide just the right edge for scoring lines and creasing board and paper.
12. Bamboo (or wooden) skewer. We use bamboo skewers for all sorts of things in the lab. Their #1 use is probably for making cotton swabs but we also use them to clean objects, to fashion clamps and apply pressure to objects when carrying out treatment…and a whole host of other things.
13. Porcupine quill. I had heard about porcupine quills being used in conservation treatments but I had never had the chance to try one until a former Penn Museum intern gave me a porcupine quill as a gift a few years ago. We often have to scrape corrosion and compacted soil off artifacts and sometimes a porcupine quill provides just the right pressure without damaging the surface of an object. And not surprisingly conservators have found other uses too – see this blogpost for one example.
I’ll be interested in hearing if anyone reading this has a favorite tool or material – or supplier! Leave a comment here if you do! Oh, and one last plug for the Inherent Vice Squad: if you’re looking for a nice way to store or carry your tools, check out their really beautiful tool wraps and stand-up tool caddies.