‘The Highland Show’

Mount Hagen/Goroka, Papua New Guinea

By: Jordan M. Wright

Originally Published in 1983

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The highland regions of Papua New Guinea were virtually unknown to outsiders until explorations during the 1930s revealed that hundreds of thousands of people were living there, speaking hundreds of languages, and subsisting largely by growing the sweet potato, which thrives at both low and high elevations. While trade objects from the coasts, even iron tools of European manufacture, reached the highlands before Europeans did, and while during World War II the Highlanders came to know something about aircraft which fre­quently overflew their isolated valleys, the highland interior of New Guinea was literally cut off from the rest of the world until the Australian colonial government decided to open it up in the 1940s and 1950s. Prior to the establishment of peace at that time, New Guinea Highlanders were divided into hostile factions and tribes, warfare and feuding were constant, and travel over even moderate distances was impossible for the local people.

In the traditional cultures of the highlands, the major art forms were body decoration, costumery, singing, and dancing (the well-known sculpture of New Guinea does not come from this region). All important social events, and especially warfare and feuding, were marked by the display of lavish personal adornment of the participants. Thus it is not surprising that, when peace allowed people to travel across what had been for centuries hostile territories, occasions for meetings be­tween groups were celebrated by the donning of elaborate costumes. The Australian Govern­ment established an annual fair, initially at Mt. Hagen, as an event to which peoples could come to learn, not only about new kinds of agriculture, but also about the colonial govern­ment which had brought peace to the high­lands. Over the years, however, New Guineans have transformed the Mt. Hagen/Goroka Fair, or Highland Show as it is often called, into an extravaganza of parading, dancing, singing, and the display of costumery and body decora­tion. It attracts tens of thousands of New Guineans, many of whom travel for days on foot in order to attend the festivities, as well as thousands of foreign tourists. To the culturally naive outsider, highland body decoration is a stunning visual experience.

Traditionally, body adornment is both an art form and a means of conveying social messages. Some of the messages serve to iden­tify one local group from another; others signal the social status of the wearer. However, while most highland New Guineans recognize per­sonal decoration as an art form that is used to mark important social events, there is no standardization of symbolic meanings from one group to the next.

Papua New Guinea became an independent and sovereign nation in 1975, and the Mt. Hagen/Goroka Fair was continued as a na­tional celebration. Even though nearly forty years of economic development and moderni­zation have transformed much of the highland landscape, many peoples still value their aesthetic traditions of body decoration and are eager to display them at this annual celebration.

These photographs were taken in August 1982 in the highlands of Papua New Guinea. Most of them are of participants in the Mt. Hagen/Goroka Fair (Figs. 1-10); three, however, were taken at a wedding in a village close to the town of Goroka (Figs. 11-13). It is hoped to arrange an exhibition of these and other photographs at The University Museum in the near future.

Cite This Article

Wright, Jordan M.. "‘The Highland Show’." Expedition Magazine 26, no. 1 (October, 1983): -. Accessed February 29, 2024. https://www.penn.museum/sites/expedition/the-highland-show/

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