Volume 45 / Number 3

2003

Special Edition: The Americas

On The Cover: Yarn painting by José Benitez Sánchez. From Visions of a Huichol Shaman, by Peter T. Furst. Photo Credit: Peter T. Furst

Vol. 45 / No. 3

By: Alex Pezzati

Held in the Archives: Famous Jazz Age Artist’s Watercolors in UPM’s Archives: From the Archives

The old cliché that museums and archives are full of undiscovered treasures is true. Though one works constantly to identify and catalog […]

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Vol. 45 / No. 3

By: James R. Mathieu

Time Travel, Trebuchets, and Atlatls: Playing with the Past Through Experimental Archaeology: Science and Archaeology

Recently I had a chance to read Michael Crich­on’s Timeline, a book recommended to me because it combined my interests […]

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Vol. 45 / No. 3

By: Julia A. Hendon

In the House: Maya Nobility and Their Figurine-Whistles

Unspeakable dignity isolates the diminutive nobleman. Dominating the shelf, his regnant nature ignores the bric-a-brac obstructing his view. With arms […]

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Vol. 45 / No. 3

By: William Wierzbowski

Beaded Bags: The Persisting Power of Beadwork Traditions: What in the World

Since 1998, the American Section of the University of Pennsylvania Museum has been involved with the National Museum of the […]

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Construction at the Penn Museum

Vol. 45 / No. 3

Museum Mosaic – Winter 2003: Fare Project Gets Under Way; The Mediterranean Section Received an $18,000 Grant

If  you walked by the Museum this last summer, this is what the upper courtyard looked like — a big […]

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Vol. 45 / No. 3

By: Jack Murray

Gone Fishing: James Albert Marion, 1942-2003: Portrait

Getting to know Jim Marion was as easy as falling off your new two-wheeled bike for the first time, without […]

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Vol. 45 / No. 3

By: Programs Department

Yarn Paintings of a Huichol Shaman: Exhibit Notes

A new exhibit at the Museum can come about in one of many ways. In the case of our new […]

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Vol. 45 / No. 3

By: Deborah I. Olszewski

Donald White: Meet the Curators

Some of you know a thing or two about our featured museum curator, Donald White, because of his role in […]

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Vol. 45 / No. 3

By: Beebe Bahrami

From the Editor

In this issue, we explore the Americas with features that reflect the changes in archaeology and anthropology from the nineteenth […]

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Vol. 45 / No. 3

By: Jeremy A. Sabloff

From the Director

As I write this column, I can look out my office window and admire the beautiful Stoner Courtyard, now in […]

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Vol. 45 / No. 3

By: Robert W. Preucel, Lucy Fowler Williams, Stacey O. Espenlaub and Janet Monge

Out of Heaviness, Enlightenment: NAGPRA and the University of Pennsylvania Museum of Archaeology and Anthropology

On September 29,2000, John Johnson of the Chu­gach Alaska Corporation arrived in Philadel­phia to take formal possession of ancestral Eskimo […]

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Vol. 45 / No. 3

By: William Wierzbowski

Matches’s Sketchbook: Native American P.O.W. Art from Fort Marion

In 1891, a small sketchbook with thirty-one drawings entered the collection of the University of Pennsylvania Museum of Archaeology and […]

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Vol. 45 / No. 3

By: Judy C. Voelker, Dana Walrath and Birch Miles

Asian Culinary Magic, Visual Journeys, and Afghan Buzkashi: From Bangkok to Buzkashi: Book News & Reviews

For those who enjoy the deli­cate combinations of herbs and spices that are hallmarks of Asian cuisine or for those […]

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Vol. 45 / No. 3

By: Karim M. Tiro

Film & Culture: Northern Exposure: The Fast Runner Offers a Native Perspective

In 1922, director Robert Flah­erty produced the first docu­mentary film, a movie called Nanook of the North. It was so […]

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Vol. 45 / No. 3

By: Christine Ward

The Bluff Great House: On the Periphery of the Chaco World

Towering red sandstone cliffs provide a dramatic backdrop to archaeological research at the Bluff Great House in southeastern Utah. The […]

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Vol. 45 / No. 3

By: Brian Peasnall and Mitchell S. Rothman

One of Iraq’s Earliest Towns: Excavating Tepe Gawra in the Archives of the University of Pennsylvania Museum

When does excavation not require the diggers to get dirty? Such a riddle may belie most people’s image of archaeology.In […]

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