Zhou, Xiuqin. Creation and Separation: A Chinese Emperor's Six Stone Horses. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2024. |
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Zhou, Xiuqin. "The Mausoleum of Emperor Tang Taizong." Sino-Platonic Papers 187. ( Apr 2009). |
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Steinhardt, Nancy S. "The Chinese Rotunda." Arts of Asia 38, no. 5. (2008): 83-95. See: Pg. 95, Fig. 32 |
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Zhou, Xiuqin. "Excavations at Zhaoling, Shaanxi, China: More Light on the Museum's Chinese Horse Reliefs." Expedition: The Magazine of the University of Pennsylvania Museum of Archaeology and Anthropology 47, no. 2. (2005): 38-39. |
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Zhou, Xiuqin. "Emperor Taizong and His Six Horses." Orientations (Hong Kong) 32, no. 2. (2001): 40-46. Page/Fig./Plate: 41 |
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Madeira, Percy C. Men in Search of Man: The First Seventy-Five Years of the University Museum of the University of Pennsylvania. University of Pennsylvania Press, 1964. See: p. 91 |
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Jayne, Horace H. "The Chinese Collections of The University Museum: A Handbook of the Principal Objects." The University Museum Bulletin 9, no. 2-3. (1941): 9-50. See: Pg. 48 Fig. 46 |
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Fernald, Helen E. "In Defense of the Horses of T'ang T'ai Tsung." The University Museum Bulletin 9, no. 4. (1941): 18-28. Page/Fig./Plate: 18-28 |
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Ferguson, John C. "The Six Horses of T'ang T'ai Tsung." Journal of the North China Branch of the Royal Asiatic Society 67. (1936). See: pp. 1-8, pls. V-VI |
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Fernald, Helen E. "The Horses of T'ang T'ai Tsung and the Stele of Yu." Journal of the American Oriental Society 55, No. 4 Dec. (1935): 420-428. See: Fig. 2 |
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Jayne, Horace H. "The Museum's Loan to Burlington House ( for International Exhibition of Chinese Art held in London 1935-36)." The University Museum Bulletin 6, no. 1. (1935): 17-21. See: pp. 7-11, pl. 6 |
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Ferguson, John C. "The Six Horses at the Tomb of the Emperor T'ai Tsung of the T'ang Dynasty." Eastern Art 3. (1931): 61-71. |
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Springer, Anton. "Die ostasiatische Kunst." Handbuch der Kunstgeschichte 6. (1929): 435068. See: pp. 49, 54 |
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March, Benjamin. China and Japan in our Museums. New York: American Council, Institute of Pacific Relations, 1929. See: p. 87 |
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Siren, Osvald. Chinese sculpture from the fifth to the fourteenth century; over 900 specimens in stone, bronze, lacquer and wood, principally from northern China. London: E. Benn, Ltd., 1925. See: pg. 116, Plate 426B |
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Munsterberg, Oskar. Chinesische Kunstgeschichte. 1. Esslingen a. N. : P. Neff, 1924. See: p. 162, abb. 123 |
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Ashton, Leigh. An Introduction to the Study of Chinese Sculpture. London: E. Benn, Ltd., 1924. See: pl. 47 |
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Waley, Arthur. "T'ai Tsung's Six Chargers." The Burlington Magazine for Connoisseurs 43, No. 246. (1923). See: pp. 117-118 |
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Pelliot, Paul. "Les statues en laque seche dans l'ancien art chinois." Journal Asiatique (April - June). (1923): 181-207. See: pp. 202 |
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Bishop, Carl W. "Horses of T'ang T'ai Tsung." The Museum Journal IX, Nos. 3-4. (1918). Page/Fig./Plate: 265-272, figs. 75, 76 |
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Chavannes, Edouard. Mission Archeologique dans la Chine Septentrionale. Paris: E. Leroux, 1909. See: Plate: 289, No. 442 |
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Bushell, Stephen W. Chinese Art. Vol. 1. London: Victoria and Albert Museum, 1904. See: p. 43, Fig. 18 |
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Reinach, Salomon. "Le Representation du Galop dans l'Art Ancien et Moderne." Revue Archeologique T.38, Janvier-Juin. (1901): 224-244. Page/Fig./Plate: 92 |
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