Statue
C112
Location: On Display in the Asia Galleries
From: China | Shaanxi (uncertain)
Curatorial Section: Asian
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Object Number
C112
Current Location
Asia Galleries - On Display
Culture
Chinese | Buddhist
Provenience
China | Shaanxi (uncertain)
Period
Tang Dynasty
Date Made
8th Century CE
Section
Asian
Materials
Limestone | Paint | Gold Leaf
Technique
Carved | Painted | Gilded
Iconography
Ta Shih Chih? | Bodhisattva
Description
Grey limestone statue of a Bodhisattva in flowing robes with scarves and ornaments. He stands on a lotus base. There is a vase in the headdress. The lower portion of the arms are both missing. There are traces of red, blue and green paint and gold leaf. C111 and C112 are a pair and were most likely made by the same artist.
Credit Line
Purchased from C. T. Loo, 1915
Other Number
Getz 12 - Other Number
Current & Past Exhibitions
Bibliography
Abe, Stanley K., Alan Chong, and Noriko Murai. "Collecting Chinese Sculpture: Paris, New York, Boston." Journeys East: Isabella Stewart Gardner and Asia . (2009): 432-442. See: pg. 438, Fig. 9
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Trubner, Henry. The Arts of the T'ang Dynasty . Cambridge: Chadwyck-Healey, 1957. See: Plate 34, p. 19
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Bachhofer, Ludwig. A Short History of Chinese Art . New York: Pantheon, 1946. See: #66 a,b. p. 74-5
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Jayne, Horace H. "The Chinese Collections of The University Museum: A Handbook of the Principal Objects ." The University Museum Bulletin 9, no. 2-3. (1941): 9-50. See: Pg. 18, Fig. 13
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Jayne, Horace H. "Chinese Art at the University Museum." Parnassus 11, no. 1. (01 Jan 1939).
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Bachhofer, Ludwig. "Zur Geschichte der chinesischen Plastik vom VIII-XIV Jahrhundert." Chinesische Plastik 14. (1938). See: Illustration
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The Romance of Chinese Art . Garden City: Garden City Publishing Company, 1936. Page/Fig./Plate: 65-82
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Jayne, Horace H. "The Museum's Loan to Burlington House ( for International Exhibition of Chinese Art held in London 1935-36) ." The University Museum Bulletin 6, no. 1. (1935): 17-21. See: pl. VI
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Royal Academy of Arts. Catalogue of the International Exhibition of Chinese Art . London: Royal Academy of Arts, 1935. See: Pg. 205, No. 2397, Pg. 219, 2397 (illustration)
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"Two Chinese Sculptures of the T'ang Dynasty ." The University Museum Bulletin 2, no. 4. (1931): 119-123. Page/Fig./Plate: 119-123
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Siren, Osvald. Histoire des Arts Anciens de la Chine . 3. Bruxelles: G. Van Oest, 1930. Page/Fig./Plate: 119-123, Plates 6, 7
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Springer, Anton. "Die ostasiatische Kunst." Handbuch der Kunstgeschichte 6. (1929): 435068. Page/Fig./Plate: 109
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Siren, Osvald. Chinese sculpture from the fifth to the fourteenth century; over 900 specimens in stone, bronze, lacquer and wood, principally from northern China . London: E. Benn, Ltd., 1925. See: pg.101, Plate 378B
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Glaser, Curt. "Ostasiatische Plastik." Die Kunst des Ostens XI. (1925). See: Plate 79 A and B, p. 56
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Ashton, Leigh. An Introduction to the Study of Chinese Sculpture . London: E. Benn, Ltd., 1924. See: Plate 68
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Bishop, Carl W. "Notes on Chinese Statuary ." The Museum Journal VII, No. 3. (1916): 152-177. See: No. 12
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Getz, John. The University Museum Exhibition of Oriental Art . Philadelphia: The University Museum, 1916. See: pg. 180, No. 12, pg.181 (photo)
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"Two Early Chinese Statues." The Burlington Magazine for Connoisseurs 24, No. 128. (1913): 106-110. See: Plate I
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