Object Number |
C400 |
Current Location |
Collections Storage |
Culture |
Chinese | Buddhist |
Provenience |
China | Manchuria | Aipao |
Period |
Liao Dynasty |
Date Made |
10th century |
Section |
Asian |
Materials |
Copper Alloy | Wood | Bronze | Gilding |
Technique |
Gilt |
Iconography |
Guanyin | Amida Buddha |
Description |
Gilt bronze statuette of Guanyin. Tall graceful figure standing holding lotus bud in hands. Over the forehead at the base of the high crown headdress is a tiny figure of the Amida Buddha. When acquired, the statue was covered with a thick emerald green patina except for the hands, face and throat which retained their smooth gilding; there were traces of gold on the garments. The statue has since been cleaned. Found in a river near the Aipao village which was the ancient seat of the Jianning Monastery; the village is a suburb of Liaoyang, south of Shenyang in Liaoning Province. |
Height |
70 cm |
Width |
16 cm |
Depth |
16 cm |
Credit Line |
Purchased from C. T. Loo; Subscription of Mrs. Emory R. Johnson, 1921 |
Current & Past Exhibitions
Bibliography
Steinhardt, Nancy S. "The Luohan that Came from Afar." Expedition: The Magazine of the University of Pennsylvania Museum of Archaeology and Anthropology 52, no. 3. (2010): 7-8. See: pg. 8 |
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Steinhardt, Nancy S. "The Chinese Rotunda." Arts of Asia 38, no. 5. (2008): 83-95. See: Pg. 86, Fig. 16 |
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Gridley, Marilyn. "A White-robed Guanyin as the Embodiment of a Liao Ideal." Orientations (Hong Kong) 32, no. 2. (2001): 47-50. Page/Fig./Plate: 47 |
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Lyons, Elizabeth, Heather A. Peters, Chang Ch'eng-mei, and Gregory L. Possehl. Buddhism: History and Diversity of a Great Tradition. Philadelphia: The University Museum, 1985. Page/Fig./Plate: 25 |
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Jayne, Horace H. "The Chinese Collections of The University Museum: A Handbook of the Principal Objects." The University Museum Bulletin 9, no. 2-3. (1941): 9-50. See: p. 43, Fig. 33 |
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Chinese bronzes of the Shang (1766-1122 B.C.) through the Tang Dynasty (A.D. 618-906) : an exhibition lent by American collectors and museums and shown in gallery D6 from October 19 through November 27.. New York: The Metropolitan Museum of Art, 1938. See: No. 304 |
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Bachhofer, Ludwig. "Zur Geschichte der chinesischen Plastik vom VIII-XIV Jahrhundert." Chinesische Plastik 14. (1938). Page/Fig./Plate: 109-136, abb. 7, T. 12. |
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Fernald, Helen E. "The Sculpture." The Burlington Magazine for Connoisseurs 68, no. 394. (1936): 22-30. See: Pg. 23, Plate l, Fig. A,B. |
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Jayne, Horace H. "The Museum's Loan to Burlington House ( for International Exhibition of Chinese Art held in London 1935-36)." The University Museum Bulletin 6, no. 1. (1935): 17-21. Page/Fig./Plate: 17-21, pl. 6. |
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Royal Academy of Arts. Catalogue of the International Exhibition of Chinese Art. London: Royal Academy of Arts, 1935. See: Pg. 60, No. 811; Pg. 76, 811 (illustration) |
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March, Benjamin. China and Japan in our Museums. New York: American Council, Institute of Pacific Relations, 1929. Page/Fig./Plate: 87 |
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Siren, Osvald. Chinese sculpture from the fifth to the fourteenth century; over 900 specimens in stone, bronze, lacquer and wood, principally from northern China. London: E. Benn, Ltd., 1925. See: pg. 155, Plate 577 |
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"Chinese Sculpture Recently Acquired." The Museum Journal XV, no. 4. (1924): 258-287. See: Pg. 258, plate IV |
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