"The Benghazi Venus". Aphrodite Anadyomene type but cut off (deliberately made this way?) at upper thighs. Nude. Both arms raised, each hand holding a strand of hair, the right hand at the level of her eyes, the left, forward, at level of her shoulder. Hair parted in the middle, bound with a plain fillet, a short curling lock of hair falling down each side of her neck. Ear lobes pierced. White crystalline marble (Parian?). Intact. Well polished surfaces. Bottom surface finished and flat: No holes for any kind of attachment. .
Romano, Irene B. Classical Sculpture; Catalogue of the Cypriot, Greek and Roman Stone Sculpture in the University of Pennsylvania Museum of Archaeology and Anthropology. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2006. See: p. 44, no. 29
White, Donald J., Keith R. DeVries, David G. Romano, Irene B. Romano, and Yelena Stolyarik. The Ancient Greek World:The Rodney S. Young Gallery. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 1995. See: cover, p. 19
Brendel, Otto. "Weiblicher Torso in Oslo." Die Antike. Zeitschrift für Kunst und Kultur des klassischen Altertums . (1930): 41-64. Page/Fig./Plate: 52-53, fig 5-6
